The Broadway Revival of Ragtime: A Musical Extravaganza!
The iconic musical Ragtime is back on Broadway, and the critics are raving! But is this revival just a nostalgic trip down memory lane, or does it offer something new and thought-provoking? Let's delve into the reviews and find out.
Directed by Lear deBessonet, this revival stars Joshua Henry, Caissie Levy, Brandon Uranowitz, and Nichelle Lewis, who bring to life the captivating story of Coalhouse Walker, Jr., a Black man in early 20th-century New York, and his journey that intertwines with historical figures like Harry Houdini and Booker T. Washington. The production also features a stellar ensemble, including Colin Donnell, Shaina Taub, and John Clay III, reprising their roles from the New York City Center run.
But here's where it gets controversial: critics have varying opinions on the show's impact. Some praise it as a stunning triumph, while others find it divided and incomplete. Let's explore the reviews:
- 1 Minute Critic (Matthew Wexler) offers a concise yet powerful take on the show.
- amNY (Matt Windman) highlights the divided nature of the story, leaving readers to ponder its implications.
- America Magazine (Rob Weinert-Kendt) delves into the show's exploration of a multiracial America, sparking thought about its tragic incompleteness.
- CitiTour NYC (Brian Scott Lipton) provides a detailed review, leaving readers curious about the production's intricacies.
- Culture Sauce (Thom Geier) shares a captivating critique, but does it truly capture the essence of the show?
- Daily Beast (Tim Teeman) calls it a 'staggering, stunning triumph,' but is this hyperbole or a genuine reflection?
- DC Theater Arts (Deb Miller) labels it an 'epic' production, but is it truly groundbreaking?
- And the list goes on, with Entertainment Weekly, New York Post, Vulture, and many more offering their takes.
The production boasts impressive creative talents, including choreography by Ellenore Scott and set design by David Korins. Based on E.L. Doctorow's novel, the musical seamlessly blends fact and fiction, with a book by Terrence McNally, music by Flaherty, and lyrics by Ahrens.
But what's the verdict? Is this revival a must-see, or does it fall short of expectations? The reviews are in, and the discussion is open. Do you agree with the critics' assessments? Are there aspects they missed or misinterpreted? Share your thoughts in the comments and join the conversation about this highly anticipated Broadway revival!
